Third Day
Seminar – Masterclass – Talk – Concert
Seminar – Masterclass – Talk – Concert
23 February 2022
Composer Portrait (1)
Composition Masterclass
The RKC Pieces for Contrabass and Electronic
Amin Khoshsabk
(Curated by Hassan Sheidaei)
Live Events
Seminar
Composer Portrait
Orm Finnendahl
1. General reflections on form and perception based on the example of various compositions.
2. The use of technology in my music.
Examples from these pieces (Webfehler, Kommen und Gehen, Versatzstücke, Bubbles and
Boids) will be discussed.
Monday 21 February 2022. 12:30 Tehran Time
For free registration please contact via:
info@yarava.com or +989377867630 in Telegram.
Pass code will be sent to registered participants.
Biography
Masterclass
Composition Masterclass
Joachim Heintz And Dimitri Papageorgiou
Monday 21 February 2022. 16:00 Tehran Time
For free registration please contact via:
info@yarava.com or +989377867630 in Telegram.
Pass code will be sent to registered participants.
Talk
The RKC Pieces for Contrabass and Electronics
Matthias Bauer And Asal Karimi
Live on Instagram
Monday 21 February 2022. 22:30 Tehran Time
Daily Report
A Short Report on the Past and Upcoming Events
Live on Instagram
Monday 21 February 2022. 23:45 Tehran Time
Introduction
The artists, selected from various branches of art, are engaged in novel experiences with the aid of sound, music, and image. Given their different artistic backgrounds, these artists have been treating the same mediums quite differently. As someone in charge of selecting these works, my original intention was to manifest the different results emerging from the usage of the very same mediums. However, my main concern here was not to appraise or put value on these works of art but rather to observe the role of sound and image and how each artist used the two elements together. In other words, implementing sound and image unaccompanied by any sort of narration or storytelling, reveals the artist’s endeavour to best utilise the materials of sound and image. It is noteworthy that excluding narration and storytelling here does not impair the process. On the contrary it gives the audience more time and possibility to delve deeper into these works and develop their own interpretation. Eliminating the unnecessary elements may indeed turn the attention of the audience to the main intentions of the artist.
Concert (Curated by Hassan Sheidaei)
Mise En Abyme
Where are the borders of our perception and do our senses really represent reality? In the
video installation “Myse en Abyme” the medium becomes the object and represents itself.
The music decomposes synchronous to the image into its individual parts, which again
consist of the whole composition. How reality is displayed to us, is not necessarily what its
true nature is. If we want to look beyond our perception, we can see how the world around us
consist of smaller parts. But we cannot exit our subjective view into an objective reality and
therefore, we will eventually end up again in our limited representation of reality.
Leon Eckard
Biography
Untitled Self Portrait
On double exposed 16 mm black and white film, Beriault twice performs a sequence of the same
gestures. The result shows the similarity and dissonance of both moments overlapping one-
another.
Alex Beriault
Biography
SAS
SAS (Space Adaptation Syndrome) is a condition experienced by half of space travelers during
adaptation to weightlessness.
Symptoms:
Depressed appetite, a none specific malaise, gastrointestinal discomfort, nausea, and vomiting.
*As long as this adaptation is incomplete it can be coupled to nausea, visual illusions and
disorientation.
Vafa Aminikia
Biography
The —
The — is the story of a protagonist, one with the purpose of getting to the top of the closest place
to the sun; simply driven with the hope of reaching an unreachable among all the seemingly
invisible others before and after him/her who are out of focus in the narrative. stuck in an endless
loop, but believing to be the one who acquires it: the —; something that is believed to be the
most precious thing that could ever exist.
Vafa Aminikia
Biography
Strangers Outta Space (S.O.S.)
World Premiere
The video STRANGERS OUTTA SPACE (S.O.S.) is an „outtake“ of my eponymous multimedia
project that is inpired by objects and phenomena of the universe and the related linguistic
constructions. The material is based on analogue smartphone display photograms of digital
images. These images shows objects or scientific simulations which are difficult or impossible to
access visually, like black holes, space junk, etc..
The sound is a granular synthesis composition based on the recording of a conversation.
Tina Dunkel
Biography
Sound of Kalbe
Every old building has its history and I try to reinscribe this atmosphere with the help of sound
and music.
Ham Babaei
Biography
Renovations on the Mothership
Musicians: Liz Allbee, Korhan Erel, Liz Kosack
In “Renovations on the Mothership”, light scans over a living subject in an approach that feels
both gentle and somehow sinister. Although its purpose is unclear, it moves carefully to probe
and re-shape the film’s subject by disassembling her figure into estranged parts. Within this
abnormal space, music co-exists as a composition of synthetic, atmospheric, and melodic
sounds, all of which modify with the light. The figure’s illuminated parts suspend amongst all-
encompassing darkness, where neither a sense of gravity nor orientation appears to occur.