Last Day of Festival
Seminar – Talk – Concert
Seminar – Talk – Concert
26 February 2022
Acoustic Instruments in Electronic Music
The Composition Competitions
Amin Khoshsabk
Live Events
Seminar
Acoustic Instruments in Electronic Music
Esther Lamneck
Saturday 26 February 2022. 18:00 Tehran Time
For free registration please contact via:
info@yarava.com or +989377867630 in Telegram.
Pass code will be sent to registered participants.
Biography
Talk
The Composition Competitions
Honiball Joseph and Rojin Monibi
Live on Instagram
Saturday 26 February 2022. 22:30 Tehran Time
Daily Report
A Short Report on the Past and Upcoming Events
Live on Instagram
Saturday 26 February 2022. 22:30 Tehran Time
Concert
Phantasma No.1 – Oud and Fixed Media
Oud: Yasamin Shahhosseini
“Automaton” is a moving mechanical device made in imitation of a human being that performs a range of functions according to a predetermined set of coded instructions. From the Victorian era, these robots were used to please royal families. The musical models are usually accompanied by pleasant music that prevents you from hearing their inner turmoil (the sound of gears). In this piece, I tried to imagine the musician and his/her instrument in the place of an automaton; several few movements which causes sounds to be created automatically and sometimes out of control and also the relation between the musician and his/her prepared instrument which works like a machine. And finally, this time, the narration of the inner world of these inanimate human beings. The resulting sound of vibration of the rulers on the strings causes uncontrollable and automatic noises, and it has also been used to simulate the technique “riz” in the oud instrument, without the direct intervention of the musician. Because of the importance of the gears in this concept, I used a broken bicycle chainset to record the needed sound for the electronic part.
Farzan Salsabili
Biography
Prevalent
The first ideas of the piece came up around July 2021, when in Iran, most people were involved with sickness and death horrifyingly. The Covid19 virus was spreading widely, and depression felt to be unstoppable. The disappointment was prevalent. In this era, I start imagining having a form in which the idea of small objects from double bass sound is widespread in the timespan. Besides, I have been sketching patches that sound “stretchy” which, seek to imitate the gestures meaning “spreading.” Stretchy also means shorten that can be a little light at the end of the tunnel.
Sohrab Motabar
Biography
The Unconsciousness Hall – Bass and Fixed Media
Contrabass: Matthias Bauer
This piece reflects the inner atmosphere of the composer. It reflects the human unconsciousness. It’s a journey as we pass the level of consciousness and entering into deeper layers. Every sound that has been used in fixed media are recorded by composer and there is not any synthesized sound and all of sound sources are natural. In the score section there is an effective approach. In order to this, a new system of notation has been invented to support the idea. Overall, both Tape and acoustic part would create an atmospheric pad, this confrontation is one of most important goal of this composition. Although player role is very important as there is adlib approach.
Mahbod Shirvani
Biography
Parallel Camomiles
The “parallel camomiles” is a fixed media piece for oud, created in csound and cubase. the electronic part made from oud samples in csound and mixed with acoustic part in cubase. this piece is about unwanted conversation in front of a mirror.
Parham Izadyar
Biography
Resurrection
Switching between two different atmosphere with two different sonority shows us the ending of the world and then awakening of the world again. first is the real sounds which go to silence and second one is electronic sounds which go to tension. there is an element in the piece that invites listener to think deep and think about the resurrection. this element is the long hit with outh accent that their continuous and their place in the specific parts can do this role.
Soheil Zarrinpour
Biography
Wet Explosion – Bass and Fixed Media
Contrabass: Matthias Bauer
This piece has three parts, it is a sound coming from three random shapes on my palette, on the day I wanted to paint. There were only three shapes on the palette, and this piece sounded from nothing, from silence, from painting — a silent medium. The three shapes were a circle, an ascending line, and scattered dots. It was as if the stages of an explosion, in sheer silence, were before my eyes and in my ears: the circle grows, the fire rises, and at last a scattered gray band remains: a whimper at the end of the world.
Mohammad Sahebzamani
Biography
Post (The Thin White Line for Four Channels)
It is futile demanding someone (who does not know the motivation behind of the action) an Explanation.
Vahid Verdi
Biography
321 – Bass and Fixed Media
Contrabass: Matthias Bauer
“ 3, 2, 1 run! ”, it is the sentence that was forced me to write this piece with a 3 minutes and 21 seconds duration. In contemporary time, people run for a better life and they always try to achieve the best result, but they forgot the meaning of life. This piece is a reflection of contemporary life style.
Mehrnoosh Zolfaghari
Biography
Suffering
The piece is a fixed media using a Double Bass. All sounds used in the piece are made through Double Bass and Electronic Effects. The sounds are recorded by a Clipper microphone and a Zoom H8 and then have been processed in MAX MSP and Ableton Live software.
Vesal Javaheri
Biography
Voronoi
This work is based on the mathematical theory of voronoi and the happening diagram on it, which originated from the system of chance.
Seyed Hossein Aalaei Mousavi
Biography
Adaptation – Oud and Live Electronics
Oud: Yasamin Shahhosseini
“Dr. Caf is a linguist. He has traveled to the city surrounded by the sea and the river Mond to collect terms and idioms that locals use to talk to each other. Suddenly, Mond has been overflowing. Therefore, he has been trapped. He has been waiting for an airplane to take him out… ” .The piece is based on the above short novel written by Gholam-Hossein Sa’edi, an Iranian novelist and screenwriter, in 1966. It is a live electroacoustic piece for the Oud. There is no fixed media. The automate effects manipulate sounds performed by the Oud player.